Elliot Gabaroche is very clear on what she isn’t going to do this summer.
1. She isn’t going to stay home in Sacramento, where she’d have to sit through her stepmother’s sixth community theater production of The Importance of Being Earnest. 2. She isn’t going to mock trial camp at UCLA. 3. And she certainly isn’t going to the Air Force summer program on her mother’s base in Colorado Springs. As cool as it would be to live-action-role-play Ender’s Game, Ellie’s seen three generations of her family go through USAF boot camp up close, and she knows that it’s much less Luke/Yoda/”feel the force,” and much more one hundred push-ups on three days of no sleep… Read more.
Raised in isolation at Heavenly Shepherd, her family’s trailer-dealership-turned-survival compound, Ami Miles knows that she was lucky to be born into a place of safety after the old world ended and the chaos began. But when her grandfather arranges a marriage to a cold-eyed stranger, she realizes that her “destiny” as one of the few females capable of still bearing children isn’t something she’s ready to face.
With the help of one of her aunts, she flees the only life she’s ever known, and sets off on a quest to find her long-lost mother (and hopefully a mate of her own choosing). But as she journeys, Ami discovers many new things about the world… and about herself.
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Junior, a budding cartoonist growing up on the Spokane Indian Reservation, is determined to take his future into his own hands. He leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heart-breaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author’s own experiences, coupled with poignant drawings by Ellen Forney that reflect the character’s art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live.
As children, Goldie, Liyana, Scarlet, and Bea dreamed of a strange otherworld: a nightscape of mists and fog, lit by an unwavering moon. Here, in this shadowland of Everwhere, the four half-sisters connected by blood and magic, began to nurture their elemental powers together. But at thirteen, the sisters were ripped from Everwhere and separated. Now, five years later, they search for one another and yearn to rediscover their unique and supernatural strengths. Goldie (earth) manipulates plants and gives life. Liyana (water) controls rivers and rain. Scarlet (fire) has electricity at her fingertips. Bea (air) can fly.
To realize their full potential, the blood sisters must return to the land of their childhood dreams. But Everwhere can only be accessed through certain gates at 3:33 A.M. on the night of a new moon. As Goldie, Liyana, Scarlet, and Bea are beset with the challenges of their earthly lives, they must prepare for a battle that lies ahead. On their eighteenth birthday, they will be subjected to a gladiatorial fight with their father’s soldiers. If they survive, they will face their father who will let them live only if they turn dark. Which would be fair, if only the sisters knew what was coming.
Amal Shahid has always been an artist and a poet. But even in a diverse art school, he’s seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.
Suddenly, at just sixteen years old, Amal’s bright future is upended: he is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?
On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life.
But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own.
Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream?
Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable.
When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her older sister, Janae, starts to fall for the charming Ainsley. She especially can’t stand the judgmental and arrogant Darius. Yet as Zuri and Darius are forced to find common ground, their initial dislike shifts into an unexpected understanding.
But with four wild sisters pulling her in different directions, cute boy Warren vying for her attention, and college applications hovering on the horizon, Zuri fights to find her place in Bushwick’s changing landscape, or lose it all.
Mila Flores and her best friend Riley have always been inseparable. There’s not much excitement in their small town of Cross Creek, so Mila and Riley make their own fun, devoting most of their time to Riley’s favorite activity: amateur witchcraft.
So when Riley and two Fairmont Academy mean girls die under suspicious circumstances, Mila refuses to believe everyone’s explanation that her BFF was involved in a suicide pact. Instead, armed with a tube of lip gloss and an ancient grimoire, Mila does the unthinkable to uncover the truth: she brings the girls back to life… Read more.
Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War.
It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with “woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the “girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will be busier still.
By her brother’s graveside, Liesel’s life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger’s Handbook, left behind there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordian-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor’s wife’s library, wherever there are books to be found.
But these are dangerous times. When Liesel’s foster family hides a Jew in their basement, Liesel’s world is both opened up, and closed down.