At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting – he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth.
Four years ago, Jocelyn left her tragic past behind in the States and started over in Scotland, burying her grief, ignoring her demons, and forging ahead without attachments. Her solitary life is working well—until she moves into a new apartment on Dublin Street where she meets a man who shakes her carefully guarded world to its core.
Braden Carmichael is used to getting what he wants, and he’s determined to get Jocelyn into his bed. Knowing how skittish she is about entering a relationship, Braden proposes an arrangement that will satisfy their intense attraction without any strings attached.
But after an intrigued Jocelyn accepts, she realizes that Braden won’t be satisfied with just mind-blowing passion. The stubborn Scotsman is intent on truly knowing her… down to the very soul.
Mizuki is a Japanese housewife. She has a hardworking husband, two adorable children, and a beautiful Tokyo apartment. It’s everything a woman could want, yet sometimes she wonders whether she would rather throw herself off the high-rise balcony than spend another evening not talking to her husband and hanging up laundry.
Then, one rainy night, she meets Kiyoshi, a successful restaurateur. In him, she rediscovers freedom, friendship, and the neon, electric pulse of the city she has always loved. But the further she falls into their relationship, the clearer it becomes that she is living two lives—and in the end, we can choose only one.
Hannah Wells has finally found someone who turns her on. But while she might be confident in every other area of her life, she’s carting around a full set of baggage when it comes to sex and seduction. If she wants to get her crush’s attention, she’ll have to step out of her comfort zone and make him take notice… even if it means tutoring the annoying, childish, cocky captain of the hockey team in exchange for a pretend date.
All Garrett Graham has ever wanted is to play professional hockey after graduation, but his plummeting GPA is threatening everything he’s worked so hard for. If helping a sarcastic brunette make another guy jealous will help him secure his position on the team, he’s all for it. But when one unexpected kiss leads to the wildest sex of both their lives, it doesn’t take long for Garrett to realize that pretend isn’t going to cut it. Now he just has to convince Hannah that the man she wants looks a lot like him.
Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II.
These displacements keep occurring until Kiku finds herself “”stuck”” back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.
Dancing at the Pity Party: A Dead Mom Graphic Memoir by Tyler Feder
Part poignant cancer memoir and part humorous reflection on a motherless life, this debut graphic novel is extraordinarily comforting and engaging.
From before her mother’s first oncology appointment through the stages of her cancer to the funeral, sitting shiva, and afterward, when she must try to make sense of her life as a motherless daughter, Tyler Feder tells her story in this graphic novel that is full of piercing–but also often funny–details. She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom’s closet, ending old traditions and starting new ones, and the sting of having the “I’ve got to tell Mom about this” instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.
When violinist Anna Sun accidentally achieves career success with a viral YouTube video, she finds herself incapacitated and burned out from her attempts to replicate that moment. And when her longtime boyfriend announces he wants an open relationship before making a final commitment, a hurt and angry Anna decides that if he wants an open relationship, then she does, too. Translation: She’s going to embark on a string of one-night stands. The more unacceptable the men, the better.
That’s where tattooed, motorcycle-riding Quan Diep comes in. Their first attempt at a one-night stand fails, as does their second, and their third, because being with Quan is more than sex: he accepts Anna on an unconditional level that she has just started to understand herself. However, when tragedy strikes Anna’s family, she takes on a role she is ill-suited for, until the burden of expectations threatens to destroy her. Anna and Quan have to fight for their chance at love, but to do that, they also have to fight for themselves.
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
The world had teeth and it could bite you with them anytime it wanted. Trisha McFarland discovers this when she is nine years old. Lost in the woods.
Trisha has only veered a little way off the path. But in her panic to get back to her family, she takes a turning that leads into the tangled undergrowth, deeper into the woods.
At first it’s just the bugs, midges and mosquitoes. Then comes the hunger. For comfort she tunes her Walkman into broadcasts of the Red Sox baseball games and the performances of her hero Tom Gordon.
As darkness begins to fall and Trisha struggles for survival and a way out, she realizes that she is not alone. There’s something else in the woods – watching. Waiting…
In Derry, Maine, four young boys once stood together and did a brave thing. Something that changed them in ways they hardly understood.
A quarter of a century later, the boys are men who have gone their separate ways. Though they still get together once a year, to go hunting in the north woods of Maine. But this time is different. This time a man comes stumbling into their camp, lost, disoriented and muttering about lights in the sky.
Before long, these old friends will be plunged into the most remarkable events of their lives as they struggle with a terrible creature from another world. Their only chance of survival is locked in their shared past – and in the Dreamcatcher.
Trigger Warning Database 