We first met Mia in Black Cockatoo, as she navigated her way through culture, Country and familial ties. Dirrarn follows Mia as she finds herself at boarding school and the challenges of living thousands of kilometres away from home, family, and the big sky country she loves. Mia along with her best friend, Naya, negotiate new friends, new ways of thinking and new ways of being in a different world. As Mia wrestles with all that is unfamiliar, she soon must learn to stand in her truth when confronted with unending challenges.
Mia is a 13-year-old girl from a remote community in the Kimberley. She is saddened by the loss of her brother as he distances himself from the family. She feels powerless to change the things she sees around her, until one day she rescues her totem animal, the dirran black cockatoo, and soon discovers her own inner strength.
“You’re so exotic!” “You look so unusual.” “But what are you really?” Eleven-year-old Isabella is used to these kinds of comments – her father is black, her mother is white – but that doesn’t mean she likes them. And now that her parents are divorced (and getting along WORSE than ever), Isabella feels more like a push-me-pull-me toy.One week she’s Isabella with her dad, his girlfriend Anastasia, and her son Darren living in a fancy house where they are one of the only black families in the neighbourhood. The next week she’s Izzy with her mom and her boyfriend John-Mark in a…. Read more.
Hospitalisation for a gunshot wound with minor blood & injury depiction
Minor bullying
Context : The protagonist’s best friend finds a noose in her school locker. It’s implied a white student put it there after their class learned about historical lynching. Later, she has a panic attack when a noose appears on the TV during a sleepover. The protagonist’s teenage step-brother is pulled over by the police and tackled to the ground by three officers. They suspect him of robbing a bank and question him. They force the protagonist, an 11-year-old Black girl, out of his car. A female officer shoots her when she reaches into her pocket to call their parents.
Darcy Patel is afraid to believe all the hype. But it’s really happening – her teen novel is getting published. Instead of heading to college, she’s living in New York City, where she’s welcomed into the dazzling world of YA publishing. That means book tours, parties with her favourite authors, and finding a place to live that won’t leave her penniless. It means sleepless nights rewriting her first draft and struggling to find the perfect ending… all while dealing with the intoxicating, terrifying experience of falling in love – with another writer.
Morgan didn’t mean to do anything wrong that day. Actually, she meant to do something right. But her kind act inadvertently played a role in a deadly tragedy. In order to move on, Morgan must learn to forgive—first someone who did something that might be unforgivable, and then herself. But Morgan can’t move on. She can’t even move beyond the front door of the apartment she shares with her mother and little brother. Morgan feels like she’s underwater, unable to surface. Unable to see her friends. Unable to go to school. When it seems Morgan can’t hold… Read more.
Juniper Jade’s parents are hippies. They didn’t attend the first Woodstock, but they were there for the second one. The Jade family lives an all-organic homeschool lifestyle that means no plastics, no cell phones, and no vaccines. It isn’t exactly normal, but it’s the only thing Juniper has ever known. She doesn’t agree with her parents on everything, but she knows that to be in this family, you’ve got to stick to the rules. That is, until the unthinkable happens. Juniper contracts the measles and unknowingly passes the disease along, with tragic consequences. She is shell-shocked. June.. Read more.
When a magnitude 7.8 earthquake hits California, Ruby is trapped in a laundromat with Charlie, a boy she had her first conversation with only moments before. She can’t see anything beyond the rubble that she’s trapped beneath, but she’s sure someone will come save them soon. As the hours and days tick by, Ruby and Charlie struggle to stay hopeful—and stay alive. Ruby has only Charlie’s voice and her memories to find the hope to keep holding on. Will the two make it out alive? And if they do, what will they have lost to the earthquake?
Mary-Rose MacKinnon–nicknamed MR or “Mister”–is a successful YA author who has made enough from her writing to semi-retire in her early 40s. She lives in a comfortable Toronto neighbourhood with her partner, Hilary, a busy theatre director, and their 2 young children, Matthew and Maggie, trying valiantly and often hilariously to balance her creative pursuits with domestic demands, and the various challenges that (mostly) solo parenting presents. As a child, Mary-Rose suffered from an illness, long since cured and “filed separately” in her mind. But as her… Read more.
For twenty-six-year-old Adelaide Williams, an American living in dreamy London, meeting Rory Hughes was like a lightning bolt out of the blue: this charming Englishman was The One she wasn’t even looking for. Is it enough? Does he respond to texts? Honour his commitments? Make advance plans? Sometimes, rarely, and no, not at all. But when he shines his light on her, the world makes sense, and Adelaide is convinced that, in his heart, he’s fallen just as deeply as she has. Then, when Rory is rocked by an unexpected tragedy, Adelaide does everything in her power to hold him together—even if it means losing herself… Read more.
The stage is set for the play of a lifetime: but it’s the romantic drama backstage that has everyone applauding. Paul and Cath are the perfect creative team. He’s an up-and-coming theatre director and she’s his unflappable, rock-steady stage manager. If Cath’s had to bury her unrequited affection for Paul for ten long years to keep things professional, it’s just the price she pays for a career she loves, working with her best friend by her side. Until he hires her old nemesis as the leading lady for a new play that’s their chance to make it big. Handling temperamental actors is… Read more.
