Aged just 16, Geo’s best friend Angela disappeared without a trace. Years later, Angela’s body is discovered in the woods near Geo’s childhood home, revealed as yet another victim of the notorious serial killer Calvin James. Geo’s high-school boyfriend.
For fourteen years, Geo knew what had happened and told no one, carrying the secret until she was arrested and sent to prison. Why would any woman protect a man capable of committing such a heinous crime? Geo had her reasons…
To Geo, Calvin is more than a monster, a serial killer with no remorse. He is something else entirely. And while Geo did her time, Calvin escaped and went on the run. Now released, Geo is ready to start over. But then the bodies begin to turn up, killed in the exact same manner as Angela…
People say Beartown is finished. A tiny community nestled deep in the forest, it is slowly losing ground to the ever encroaching trees. But down by the lake stands an old ice rink, built generations ago by the working men who founded this town. And in that ice rink is the reason people in Beartown believe tomorrow will be better than today. Their junior ice hockey team is about to compete in the national semi-finals, and they actually have a shot at winning. All the hopes and dreams of this place now rest on the shoulders of a handful of teenage boys.
Being responsible for the hopes of an entire town is a heavy burden, and the semi-final match is the catalyst for a violent act that will leave a young girl traumatized and a town in turmoil. Accusations are made and, like ripples on a pond, they travel through all of Beartown, leaving no resident unaffected.
Beartown explores the hopes that bring a small community together, the secrets that tear it apart, and the courage it takes for an individual to go against the grain. In this story of a small forest town, Fredrik Backman has found the entire world.
Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix up their own marriage. There’s a wealthy banker who has been too busy making money to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything, from where they want to live to how they met in the first place. Add to the mix an eighty-seven-year-old woman who has lived long enough not to be afraid of someone waving a gun in her face, a flustered but still-ready-to-make-a-deal real estate agent, and a mystery man who has locked himself in the apartment’s only bathroom, and you’ve got the worst group of hostages in the world.
Each of them carries a lifetime of grievances, hurts, secrets, and passions that are ready to boil over. None of them is entirely who they appear to be. And all of them—the bank robber included—desperately crave some sort of rescue. As the authorities and the media surround the premises, these reluctant allies will reveal surprising truths about themselves and set in a motion a chain of events so unexpected that even they can hardly explain what happens next.
Humorous, compassionate, and wise, Anxious People is an ingeniously constructed story about the enduring power of friendship, forgiveness, and hope—the things that save us, even in the most anxious of times.
For seventeen-year-old Denver, music is everything. Writing, performing, and her ultimate goal: escaping her very small, very white hometown.
So Denver is more than ready on the day she and her best friends Dali and Shak sing their way into the orbit of the biggest R&B star in the world, Sean “Mercury” Ellis. Merc gives them everything: parties, perks, wild nights — plus hours and hours in the recording studio. Even the painful sacrifices and the lies the girls have to tell are all worth it.
Until they’re not.
Denver begins to realize that she’s trapped in Merc’s world, struggling to hold on to her own voice. As the dream turns into a nightmare, she must make a choice: lose her big break, or get broken.
A grumpy yet loveable man finds his solitary world turned on its head when a boisterous young family moves in next door.
Meet Ove. He’s a curmudgeon, the kind of man who points at people he dislikes as if they were burglars caught outside his bedroom window. He has staunch principles, strict routines, and a short fuse. People call him the bitter neighbor from hell, but must Ove be bitter just because he doesn’t walk around with a smile plastered to his face all the time?
Behind the cranky exterior there is a story and a sadness. So when one November morning a chatty young couple with two chatty young daughters move in next door and accidentally flatten Ove’s mailbox, it is the lead-in to a comical and heartwarming tale of unkempt cats, unexpected friendship, and the ancient art of backing up a U-Haul. All of which will change one cranky old man and a local residents’ association to their very foundations.
When the van door slammed on Offred’s future at the end of The Handmaid’s Tale, readers had no way of telling what lay ahead for her–freedom, prison or death.
With The Testaments, the wait is over.
Margaret Atwood’s sequel picks up the story more than fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
In this brilliant sequel to The Handmaid’s Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .
Funny, unexpected, horrifying, and altogether convincing, The Handmaid’s Tale is at once scathing satire, dire warning, and tour de force.
Anahita is passionate, curious and determined. She is also an Iranian asylum seeker who is only allowed out of detention to attend school. On weekdays, during school hours, she can be a ‘regular Australian girl’.
Jono needs the distraction of an infatuation. In the past year his mum has walked out, he’s been dumped and his sister has moved away. Lost and depressed, Jono feels as if he’s been left behind with his Vietnamese single father, Kenny.
Kenny is struggling to work out the rules in his new job; he recently started work as a guard at the Wickham Point Detention Centre. He tells Anahita to look out for Jono at school, but quickly comes to regret this, spiraling into suspicion and mistrust. Who is this girl, really? What is her story? Is she a genuine refugee or a queue jumper? As Jono and Anahita grow closer, Kenny starts snooping behind the scenes…
You can’t stop the future. You can’t rewind the past. The only way to learn the secret . . . is to press play.
Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why.
Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.
Libby’s having a rough senior year. Her older brother absconded with his college money and is bartending on a Greek island. Her dad just told her she’s got to pay for college herself, and he’s evicting her when she graduates so he can Airbnb her room. A drunken hook-up with her coworker Kyle has left her upset and confused. So when Perry Ackerman, serial harasser and the most handsy customer at The Goat where she waitresses, pushes her over the edge, she can hardly be blamed for dumping a pitcher of sangria on his head.
Unfortunately, Perry is a local industry hero, the restaurant’s most important customer, and Libby’s mom’s boss. Now Libby has to navigate the fallout of her outburst, find an apartment, and deal with her increasing rage at the guys who’ve screwed up her life–and her increasing crush on the one guy who truly gets her. As timely as it is timeless, He Must Like You is a story about consent, rage, and revenge, and the potential we all have to be better people.