Jessie is trapped: during an ill-fated S&M game, she kicks her husband and induces a fatal coronary. She is handcuffed to the bed in a lakeside cabin in the middle of nowhere, with no means of escape. Voices in her head force her to confront a buried childhood trauma.
Derek Stabbers wants revenge. He’s been planning to get it ever since his parents were convicted of the brutal murders of several neighbors. The state blamed mental illness; Derek blames monsters.
Paxton Hellswood wants to be left alone. She’s barely made it out of the house in the hundred years since she was reborn from the dead, and that’s just fine by her. She’ll take the comfortable embrace of her couch over human interaction any day.
After a series of violent misfortunes, Paxton’s incorporeal form becomes stuck inside Derek, forcing the two enemies to begrudgingly share a body.
Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom. Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent’s house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.
Will Graham stands in a silent, empty house communing with a killer. An FBI instructor with a gift for hunting madmen, Graham knows what his murderer looks like, how he thinks, and what he did to his victims after they died. Now Graham must try to catch him. But to do it, he must feel the heat of a killer’s brain, draw on the macabre advice of a dangerous mental patient, Dr. Hannibal Lecter, and follow a trail of microscopic clues to the place where another family has already been chosen to die–and where an innocent woman has found the Dragon first.
It’s been five years since Summer Marks was brutally murdered in the woods. Everyone thinks Mia and Brynn killed their best friend. That driven by their obsession with a novel called The Way into Lovelorn the three girls had imagined themselves into the magical world where their fantasies became twisted, even deadly.
The only thing is: they didn’t do it. On the anniversary of Summer’s death, a seemingly insignificant discovery resurrects the mystery and pulls Mia and Brynn back together once again. But as the lines begin to blur between past and present and fiction and reality, the girls must confront what really happened in the woods all those years ago—no matter how monstrous.
From a distance, the Haven Institute, tucked away on a private island off the coast of Florida, looks serene and even beautiful. But up close the locked doors, military guards, and biohazard suits tell a different story. In truth, it is a clandestine research facility where thousands of replicas, or human models, are born, raised, and observed.
But when a surprise attack is launched on Haven, two of its young experimental subjects—Lyra, or 24, and the boy known only as 72—manage to escape. As they make their way through a new and menacing environment, they meet a stranger named Gemma, who has embarked on a perilous quest of her own. And as Lyra tries to understand Haven’s purpose, she uncovers earth-shattering secrets that will change the lives of both girls.
Dara and Nick used to be inseparable, but that was before the accident that left Dara’s beautiful face scarred and the two sisters totally estranged.
When Dara vanishes on her birthday, Nick thinks Dara is just playing around. But another girl, nine-year-old Madeline Snow, has vanished, too, and Nick becomes increasingly convinced that the two disappearances are linked. Now Nick has to find her sister, before it’s too late.
For popular high school senior Samantha Kingston, February 12—”Cupid Day”—should be one big party, a day of valentines and roses and the privileges that come with being at the top of the social pyramid. And it is … until she dies in a terrible accident that night.
However, she still wakes up the next morning. In fact, Sam lives the last day of her life seven times, until she realizes that by making even the slightest changes, she may hold more power than she ever imagined.
In these wildly imaginative, devilishly daring tales of the macabre, internationally bestselling author Mariana Enriquez brings contemporary Argentina to vibrant life as a place where shocking inequality, violence, and corruption are the law of the land, while military dictatorship and legions of desaparecidos loom large in the collective memory. In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire.
But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction
There’s something eerily unsettling about Ottessa Moshfegh’s stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O’Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We’re in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.
Trigger Warning Database 